The afterlife of your 'killed darlings': Crafting a narrative beyond the series
Part 6 in the series 'Long-Term Photography Projects'
What to do with single images that do not fit in a body of work?
The process of selection is like wielding a sculptor's chisel in the field of long-term photographic projects, where each image becomes a brushstroke on the canvas of a larger narrative. With every masterpiece, however, there are those beloved images - your 'darlings' - that, for reasons both practical and artistic, may not find a home within the chosen series. So here we take a thoughtful journey into the afterlife of these 'killed darlings', exploring the many possibilities that breathe new life into these unsung heroes of the photographic process.
But first, let’s start with a personal story from my Burnout project:So, I was working on this photo project about burnout. Trying to capture the feeling of being totally drained but still pushing through. Anyway, I had this one photo that was just... different. It was like a stroke of boldness in the middle of all these muted, moody shots.
But here's the thing: it didn't really fit with the rest of the series. It was too different in terms of visual language, I guess. It felt like it belonged in a different story altogether.
It got me thinking though, about how we deal with burnout and find those moments of resilience even in the toughest times. That one photo, even though it didn't make the final cut, it still tells a story of its own. About finding strength in the midst of struggle, you know?
Here are some options to give new life to your ‘killed darlings’
Personal Archives: Nurturing Hidden Gems
Some images may possess an intrinsic beauty or significance, even if they do not fit into the thematic constraints of a series. Consider creating a personal archive, a visual diary of these 'darlings.' This space will become a reservoir of memories, allowing you to revisit and reflect on the evolution of your work. Over time, patterns and connections may emerge, guiding the trajectory of future projects.
Digital Exhibition: A Virtual Gallery of Untold Stories
In today's digital age, use the internet to curate a virtual exhibition and showcase your 'killed darlings.' Each story should be accompanied by a narrative that brings it to life. This digital space allows for limitless creativity and offers viewers an immersive experience beyond the constraints of a physical series.
Printed Anthology: Crafting Narrative Anthologies
Consider creating a printed anthology as a tangible testament to the breadth and depth of your photographic journey. Organize your unused photographs into thematic chapters, infusing the collection with narratives that transcend the boundaries of individual series. This printed anthology will become a tactile exploration of your artistic evolution, a journey that unfolds with each turn of the page.
Solo Exhibitions: Spotlight on the Unsung
For particularly resonant ‘darlings’, consider dedicating solo exhibitions to them. Whether in traditional gallery spaces or alternative venues, solo exhibitions provide an intimate setting for viewers to engage deeply with each photograph. The spotlight on individual images allows for a profound exploration of the emotions and stories they encapsulate.
Behind-the-Scenes Documentation: Unveiling the Creative Process
Transform your 'killed darlings' into behind-the-scenes documentation that unveils the creative process. Share the stories of the images that didn't make the final cut, shedding light on the choices and challenges faced. This transparency adds layers to your artistic narrative, offering audiences a glimpse into the subtleties of your decision-making and the evolution of your vision.
Collaborative Projects: Breathing New Life Through Collaboration
Consider collaborating with other artists such as writers, poets, musicians, or fellow photographers to bring new life to your 'killed darlings.' Each image can become a canvas for collaboration, as other creatives interpret and respond to the visual stimuli. The synergy of different art forms adds depth and dimension to your work, fostering a rich interplay of perspectives.
Personal Reflection: A Journey Inward
Take a moment to reflect and use your 'killed darlings' as a mirror to explore your own journey. Use these images as prompts for personal reflection, delving into the emotions and memories they evoke. This process of introspection can be therapeutic and enlightening, guiding your artistic growth and influencing future projects.
I think these possibilities mean that the 'killed darlings' are not silenced voices but echoes that resonate through various avenues. Each option—be it one of the above mentioned —offers a unique lens through which these unsung heroes can find renewed purpose.
Embrace the afterlife of your 'darlings,' allowing them to weave a tapestry of stories that extends beyond the boundaries of any single series. As you explore these options, remember that the artistry lies not just in the images you choose but in the myriad ways you choose to breathe life into the ones you set free.
Question:
Do you have other plans for your 'killed darlings'?
Long-Term Photography Project Series:
Part 1 | Embrace the journey: The beauty of long-term photography projects
Part 2 | Unveiling the soul: Discovering meaning and purpose in long-term photography projects
Part 3 | The dance of patience: How patience has shaped my long-term photography projects
Part 4 | Building authentic connections: Forging meaningful bonds in long-term photography projects
Part 5 | Selective alchemy: Weaving your magnum opus through the art of choosing
Part 6 | The afterlife of your 'killed darlings': Crafting a narrative beyond the series
Part 7 | The long haul: Triumphs, challenges and collaborations in long-term photography projects
Part 8 | Evolution of vision: Adapting style and capturing change over time
That’s it for this newsletter.
Till next time,
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Thanks Marcel, I needed this!
Although I photograph for over 20 years or so, I only really think about collections, series or projects for a couple of years now. That means I have so many images that don't really fit into a larger scheme (at least so far ...). Although for now they only live in folders on my computer, I do have a plan for them. I'm working on a 'collection' for on my website that I'm calling "The World As I See It", and this collection will be populated with exactly these photographs. As a selection they might seem random, but that's really the point. Ah, hm ... I think I have my topic for my next newsletter ;-) Great article Marcel, thanks!