15 Comments

I had an ongoing project of dozens of prints on a wall in my studio, constantly staring at them, rearranging, adding notes, and so on. A headshot client came in one day, took a look, and said that i was either a mass murderer planning for my next victim, or the detective looking for him.

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I'm part of the old world, but now coming back to printing photos and pages. Nothing beats the tactile experience.

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I'm in the midst of a long-term project now — about life in the first year of the pandemic in a town outside Washington, D.C. — and am in the "gathering opinions" stage. Over that year (March 2020 to March 2021), I took more than 2,000 photos while walking almost 3,000 miles, keeping a visual and written diary of events and observations.

Three years later, I'm tackling the project. In a first cut, I'm down to 365 photos (including a few "darlings," I must admit) and have sent it out to a group of 20 people (photographers, writers, friends and family I trust) to help in cutting that number down. The next steps you outline, including Miro (which I will check into), are very helpful. Again, thanks!

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This is such a wonderful and inspiring piece. Thank you for sharing your process, and in such a beautiful way!

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Excellent process, and thank you Marcel. I also have a question. Are you using Miro primarily for planning and project management? A quick look suggests that, although I do see some visualization capabilities advertised. Is this a tool you use for other purposes? I'm always cautious about spending time learning new tools unless I think I'll use them repeatedly.

Jamboard looks amazing, if I were still in a tech environment and somebody else bought it!!!!

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Editing is the skill that most photographers overlook. It can make or break brilliant projects!

Great piece of advice Marcel.

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