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Leon Goossens's avatar

Thanks Marcel for sharing, I’ll keep your advice in mind 👌

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Marcel Borgstijn's avatar

Thank you, Leon

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Mark Foard's avatar

Excellent post, Marcel.

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Susanne Helmert's avatar

Great advice here, Marcel!

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Marcel Borgstijn's avatar

Thank you, Susanne

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Todd Haughton's avatar

Great post and sound advice, Marcel! I seem to have wasted many years of my youth only chasing golden hour and feeling discouraged on overcast days. Once I realized how wonderful soft light can be for B&W, it opened up a whole new world for me photographically.

Also on this topic of color vs B&W, I really liked a comment Michael Beecham made in one of his notes the other day: “Colour images help me see what’s there. Black and white images help me feel what’s there.” That completely rings true for me.

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Marcel Borgstijn's avatar

Yes, that is a wonderful quote.

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John Adair's avatar

I think learning black and white can actually be the best learning point for beginners. For me, black and white shows me how to focus on contrast above all else, and ultimately, in color, the importance of separation to draw the eye where you want it.

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Marcel Borgstijn's avatar

Separation is a great tip, not only for b&w though.

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Matt Wackett's avatar

Great read, Marcel. Thanks for posting!

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Marcel Borgstijn's avatar

Thank you, Matt.

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Pat Wood's avatar

Great post Marcel, timely too as I am going on a B&W workshop today. Thanks for the tips.

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Marcel Borgstijn's avatar

Thank you Pat. Enjoy the workshop!

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Juliette's avatar

These are fantastic tips and dare I say, I don't recall anyone on the professional side ever sharing them.

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Danny Flahiff's avatar

Great list Marcel. I've been doing the "squinting" since, forever, but never thought about composing as if it were a drawing. Great idea, I'll give that one a shot!

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Manuela Thames's avatar

Great list! And I agree that one does not always have to wait for perfect lighting conditions. Some times choosing black and white over color can be the solution or vice versa.

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Marcel Borgstijn's avatar

Thank you. And most surprises come from weather conditions you wouldn’t expect.

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Tom Schroder's avatar

Great post, Marcel. Thank you for the photos and for the advice. As someone who likes to use both color and black and white, I can always use a conversation about the benefits of each. I read this a few times.

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Marcel Borgstijn's avatar

Cool Tom, thanks!

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Stillness in Focus's avatar

Since I abhor waking for sunrise or waiting for sunset, black and white is perfect for that harsh midday sun, especially if you like high-contrast photographs. These rules also reinforce the idea of intentionally shooting black and white and not just seeing if a picture looks better in BW in post.

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Marcel Borgstijn's avatar

Exactly, knowing what to look for prevents disappointment when editing a color photo to black & white

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søren k. harbel's avatar

Good one! Well said and illustrated. I would also suggest to collect a few books of the masters of black and white. These can help you think about how compositional elements differ from those you might see working in colour, who knows, you may actually see something in a book that you can go out and do yourself right away!

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Marcel Borgstijn's avatar

Great addition, Søren. Any reason to collect photobooks will do, haha, but you're right. Studying the masters is very helpful.

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Giles Thurston's avatar

Wonderful examples, Marcel and thoroughly agree with all your tips, especially appreciating how certain colours translate into BNW and how tonal contrast is important. 👌🏻

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Marcel Borgstijn's avatar

It really is. Understanding tonal contrast changes everything.

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Lin Gregory's avatar

Sound advice Marcel - the trick with squinting the eyes works so well. I have to admit I much prefer to photograph b&w on overcast days especially when it come to woodland photography.

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Marcel Borgstijn's avatar

Thanks Lin, I prefer overcast days as well.

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